This year for #Inktober I decided to try and tell a story over the course the month, one day at a time. This is the Real story behind the Headless Horseman. Follow along on SketchbookJack’s Instagram.
Good evening, dear readers, I am your storyteller. Follow along this #inktober for the revealing of the real story of the headless horseman. Each day one panel of the story will be revealed.
I recently stumbled across another great illustration/sketch collaboration effort similar to Illustration Fridays called Sketch Dailies. There are some amazingly wonderful artists on there that prove to be a great inspiration. Here is my debut submission for their topic “Heffalump” . Follow Sketch_Dailies on twitter or their website.
For those who have been following me for a while you have seen post after post of this book, that book, this app, and that sample page. But now, they have all come together in one single chance to make it all
Two books, “The Island and the Plough” and “Captain and Crow’s ABCs” (plus “The Island and the Plough” interactive iPad ebook app) are becoming real with the help of a Kickstarter campaign. Think of this a pre-order, not as a risk to invest in a project. The work is already done, we just need to get them printed!
Please, check it out and share with your friends. If you can’t fund, remember that just sharing the link and getting the word out means more than you might think.
I have killed another soldier, a faithful old pen. He was but a commoner yet filled a many jacket, blackened a many hat, and darkened a many tie. Yes, I use a Sharpie, sometimes, for inking. I know it is not preferred and you may already be furling your brow at the low manner in which I behave but I have come to like the Sharpie. It is simple and consistent and widely available. I can carry them in a bag and are great for travel or quick works. I know my dirty, low class pen will never survive the test of time without any “archival quality” ink. It will wither and fade in the brash sunlight of west Los Angeles, but I don’t care, for it is a impotent artist who requires special tools. It is a sad artist who blames his tools. I too, once brandished a fancy Moleskine notebook of which holds glorious, legendary powers in hopes to harness the same genius that bled from Hemingway’s veins, hoping it would make my work magical. I too, once carried the famed Micron pen and the Staedler pencils, because no actual artist would dare carry (dare not say use) an unbranded, hideously yellow, #2 pencil of which is not even worthy of using the HB insider lingo. Alas, I still use India Ink, metal tip pens, and brushes but for most everyday workings I have squandered such dreams of Hemingway and draw many of my characters on the forbidden copy paper of which a common, gasp, digital printer might use. Sure, judgments are passed, scoffs and tisks are handed by those in the supply store. But I have work to do, dear critic; I have not time to wander the supply store in search of the lesser user of commoner tools I feel may need a lecture. Unfurl your brow, fellow inker, embrace your unorthodox use of illegitimate tools.
Normally, when I check my stats page in the morning the usual search terms that bring people to my page have been “Django Reinhardt”, “Django Reinhardt Cartoon”, “Book Layout”, and “Black and white characters.” Today, however, I am delighted to say that I come up under “crazy illustrator.” I am not sure what this means. Am I crazy creative, crazy good, crazy bad, crazy crazy? Anyway, thank you for making my day fellow searcher.
This also begs the question why “Jack Benny’s Suit” leads people here. “Magneto’s Helmet” seems to quite popular as well. Regardless of all this, thank you all for each and every visit, no matter how you get here, really! Thank you!