Who knew I could make it this far with just a silly mobster theme? I have to admit that I worried, I cried, I even confessed to “Mad Ma” Johnson that early on, I would run out of ideas and she might have to break my knuckles. But, I am quickly finding out that just about anything can be turned into a goofy character; I mean, there is a character based entirely off of neckties, and looks like a necktie! The Daily Mobster has just reached 40 mobsters and is quickly nearly the 50 mark! I have a special announcement to make when we reach 50 so make sure to stay tuned, and share with a friend. New readers are always welcome and if you have ideas, thoughts or comments, share them! Thank you all for the following and support.
I like Johnny Cash; I also like the way he looks. His appearance and personality make for a great caricature. Here is an original ink drawing I did (before) and then a treated poster print (after) of Johnny Cash as “The Man in Black.” It is actually available for iPhone skin and poster print, but I am wondering what I might ultimately do with some of these caricatures. They were on Etsy as cards a while ago, but I guess cards aren’t the best application for a caricature.
Normally, when I check my stats page in the morning the usual search terms that bring people to my page have been “Django Reinhardt”, “Django Reinhardt Cartoon”, “Book Layout”, and “Black and white characters.” Today, however, I am delighted to say that I come up under “crazy illustrator.” I am not sure what this means. Am I crazy creative, crazy good, crazy bad, crazy crazy? Anyway, thank you for making my day fellow searcher.
This also begs the question why “Jack Benny’s Suit” leads people here. “Magneto’s Helmet” seems to quite popular as well. Regardless of all this, thank you all for each and every visit, no matter how you get here, really! Thank you!
What can I say?
It is your day.
If I could,
I suppose I would,
say it in a special way.
But who can do it better
with each and every letter
the way you say what you say?
Happy birthday to the man,
from all his friends and fans.
Learning and laughter you produce
so thank you, Dr. Seuss.
Illustration Friday’s topic popped up as “Fluid” and I immediately thought of a past project I was working on about three years ago. The villains in the story shed off black, inky, fluid as they moved about. Unfortunately, this was one of those projects I just had to let die as, every time I sat down to work on it I drew a blank and struggled endlessly trying to achieve what I wanted. It definitely taught me how to learn to let something die. I have to admit that I really want to complete this project, but am not regretful that I dropped it. It allowed me to clear my head and start over on several other projects since. I still love the story and the concept, so I am sure I will return to it in the future. The manuscript actually came together quite nicely with the exception of one plot hole, as did some of the initial pencils of each page. But, when I sat down to some of the very important page layouts, to finish the ink for each page, or do the final treatments (and this book had a lot of “effects” involved) it just never looked the way I wanted it to and unfortunately the mood and plot of the story relied very heavily on the visuals. I hope to add it back into my queue of projects sometime.
The basic set up for this page is that Benjamin Brigham is a rotter and just a really nasty little child. He plays horribly (really horrible, some times life threatening ;p ) pranks on people, is grouchy and grumpy, and puts up a fight to nearly anything his parents or teachers wish him to do. After being thrown from several schools and scaring away countless nannies and sitters, his parents receive a letter in the mail regarding the most prestigious academy for troubled youth that guarantees perfect results. Madame Lynch, the administrator of the academy has come to collect young Benjamin.
I recently completed a custom commission illustration. It can be really fun doing commissions because they usually lead to something or some topic not normally in the usual repertoire. I can’t remember the last time I drew a hunter, if I ever have! Not knowing the full extent of the client’s relationship to the idea or the meaning of the characters can be fun because it still leaves me open to my own interpretation and style while maintaining the requested qualities. The only requests were to have a very casual hunter (almost as if he is not actually hunting) with a big feather, carrying a coffee, and a deer in the background.
If I were to make many prints of this, it would be a great candidate for screen prints. In this case I just painted the white with acrylic white paint and hand inked the black (plus the client wanted the original, not a print). The image provided was the digital version (scanned the ink drawing,then the white done digitally) which was printed on a greeting card to match the original print. I just quickly dropped it into a stock image frame to show what it might look like in the client’s pre-provided frame. Fun!
Happy 200th Birthday Charlie Dickens! He is probably my favorite “classic” author. The imagery and moods he builds are so robust, not to mention the themes and brilliant characters he designed are right up my alley. London, smokestacks, chimneys, murders, dry humor, smart humor, dark humor, despair, hope, fear, shadows, chases, rooftops, thievery, spying, seedy underworlds, gangs, wars, and ghosts, all in tailed coats and top hats; what’s not to love?
“Mush, Mush! Forward! Forward!”
We have a little mouse that lives in the bush outside. If you look carefully between the branches and leaves, there is a whole little maze world he has built. In one respect it looks totally alien to everything we know but also strangely familiar. He seems to have gathered every bit of twig, leaf, fur, hair, paper and discard to assemble an elaborate labyrinth. It runs eight or nine feet across and doubles back and down, wrapping on itself. Scale is a funny thing.
I’ve always found miniature things very intriguing. Things follow all the same rules and laws as we do on our scale of life, but there is something very alien and eye opening about thinking about the world on a smaller scale. The construction of objects from our everyday are viewed in a completely different light just by changing scale. Thread becomes rope and needles are large dangerous objects much likes swords. The miniature world has been much played in the story telling world, mice especially, but simply thinking about the many little objects on your desk or table, or the many components that make up many of our more complex objects reveals a whole additional dimension when thinking about it at scale. Creating scenarios of small characters using out of scale objects is always a fun exercise, and though much played out, offers an unlimited array of stories and characters.
Imagine what a creature one hundred times our size would think of the way we utilize the many things in our lives. What objects around you would be wonderfully utilized to advance you forward on a smaller scale?
Illustration Friday : “forward”
Woohoo, I have been posted on IllustrationMundo in their illustrator database! If you haven’t browsed their content, make sure to check it out; there is so much to see in a huge array of styles and themes. With such a vast amount of talented people, it’s quite a task to let it excite and encourage, rather than discourage.
Lament the story of the Angler Boys. Surprise and joy befell the Angles household when Mabelle and Hank Angles announced she was expecting. The excitement grew further when Mabelle learned it would be twin boys. But, at birth, something was revealed as strange. The doctors called it “Acute Lophii-deformes” and it would seem the bouncing baby boys shared undisputed features of the Anglerfish. The Angles were advised to shut them away, home school them, and to investigate special therapies and operations to remove them of these “features.” Mabelle and Hank didn’t feel right about shutting them off from the world, so they decided to go on as if nothing was the matter.
Things were rocky, here and there, but the two boys lived together in a happy, loving home. It then came time to enroll them in school. Little Luke Angles did quite well; the other children thought his “lightning ball” was cool. He was the best to have sleepovers with because he could keep the blanket fort lit nicely. The girls thought it was cute too and they would sigh and dreamily stare, saying, “To be with Little Luke Angles was like being under the twinkling stars.”
All was not so well for Young Leopold Angles, who inherited the unfortunate features of an anglerfish teeth and tail. The girls were all scared of him, and the boys called him snaggletooth, jaws, and walrus. He was a favorite target for the bullies and often found himself escaping to the far end of the playground to be alone. Luke would try to stick up for him and include him in their games, but no matter his efforts, the other children would shove him away.
One day, Mabelle Angles came to wake them for school, but Young Leopold was gone. Hank, Mabelle and Luke looked all over town and asked everyone around, most of whom just laughed. Days passed, weeks passed. Leopold was nowhere to be found. Luke would search through the night with the help of his lightning ball. And thus, began “The Riveting Adventures of Angler Boy.” (A follow up to “Flashback: Angler Boy“)
I have long been inspired by the “Gypsy Jazz” musicians of the twenties and thirties, specifically Jean “Django” Reinhardt. One might say he invented the Gypsy Jazz style (sometimes called “Hot Jazz” stemming from his home venue, “The Hot Club” in France) and it could very well be all because of his handicap, which I think is quite incredible. As a young man, he was in a fire which literally seared the last two fingers of his left hand together, fingers that are obviously very important to a guitarist. Being greatly inspired by Spanish Folk, Gypsy music from eastern Europe, and American Jazz which was in full swing at the time seemed to have helped lead way to his two finger quick style; it is unmistakable and often replicated. The fact that he worked with his handicap rather than letting it overcome him, much like Ray Charles or Stevie Wonder, is simply astounding. If you have yet to hear any of his music, you simply must. Below I have included some of his songs as well as other artists like him including the new wave of more eclectic gypsy jazz revivalists such as Caravan Palace and even DeVotchKa.
Django Reinhardt: “Belleville”:
Django Reinhardt: “Minor Swing”:
Opa Tsupa: “Les Deux Guitares”
And something a little more contemporary:
Caravan Palace: “Jolie Coquine”
Caravan Palace: “Suzy”
Several have asked to see and learn more about the way I work and how I prepare for drawings; I hope to post additional drawing processes in the future. Here is an example from The Daily Mobster in which I prepare a concept which is usually a character name or an exaggerated feature I want to focus on and begin generating the look. I can usually come up with a name, but I also wrote a little script that will generate random names and nicknames for me if I get stumped. Some occasions produce the drawing first and the name afterward, but that is usually an exception.
I begin with a flurry of rough shapes and mood arc lines; in this case the mood line was straight as this guy is pretty somber and straight-edged. When dealing with exaggerated characters, especially ones that will only be seen in black and white and have no obvious color to define them from the others, shape is very important. It is the second thing our eyes process after contrasts. I play around, drawing and sketching various shapes, silhouettes and sizes until I find one that captures the personality and allows for the details I want to include.
Once I choose a sketch concept that seems fitting, I may do a quick study of a specific spot or detail that needs further revision or attention. In this case it was the hand holding the scissors. Then I draw the to-scale underlining sketch. I will ink directly on my sketch, so this is drawn very lightly and somewhat loose as I already have the thumbnail to guide me. The first line of ink goes on, directly over the pencil, which defines all the major lines and I do the small detail accent lines with a different weight ink pen. Then I block in the blacks with a heavy pen or ink brush (if I am at work or traveling, ink brush is a little too messy). After all the blacks are filled, then I do the line weighting and the line shading/hatching. I prefer to control the line weight by simply inking in more lines next to the originals rather than using a brush pen with pressure or a heavier pen, which would be faster, but I feel I need more control over the exact thickness. Finally I fill in the hatching for the fine details or denote key shadows that help to give depth or define shape.
The last step is to do a quick composite on the official mobster background and paint in some shadows on the wall. Preparation in any project is important. Sure there have been several drawings that are really just sketches and turn out great, but as soon as something expands to more than that or has an ultimate goal preparation helps a lot, thumbs and rough ideas are always the way to go.
Linked to Illustration Friday’s “Prepare”
If you haven’t found Greg Peltz yet, now is the time. Obviously the dapper Star Wars characters are right up my alley, but the other stuff he does is incredible. I mean he made his own Magneto helmet from scratch. That’s crazy.
Who doesn’t like Luchadores? The always look so schnazzy in their pressed suits and fancy masks. I had started a series of Lucha Libre wrestlers a while back that took it one step further and got some goofy characters and costumes out of it. I started to make retro style advertisement posters for each character. I found the few that I did and decided I could come up with a few more, so here is the series as it stands now. I am not exactly sure what I might do with these, but I think retro/circus/advertisement style posters might be kind of fun to do, each with its own theme. From top-left on: “El Dios”, “Gaucho Marx”, “El Cactus”, “Chupacabra”, “Oso”, “El Rey”, “Toro Toro”, “Mini Mono”, “El Capitan”, “Sr. Muerto” and “El Bandito.”
Hello all and Happy New Year. It was quite a busy holiday for me, but I have been able to keep up with The Daily Mobster. I have high hopes, good intentions, and a flurry of ideas in my head for this coming year and will be posting plenty of good content, illustrations, links, and fun. I thought I would start this year off by sharing, hopefully something new, with you in hopes you find something inspiring. Here are a few of my favorite links:
I will bring more in future posts.